Copyright, Fair Use, and Who’s On First – Part II
Get Legal Help Today
Secured with SHA-256 Encryption
UPDATED: Mar 6, 2017
It’s all about you. We want to help you make the right legal decisions.
We strive to help you make confident insurance and legal decisions. Finding trusted and reliable insurance quotes and legal advice should be easy. This doesn’t influence our content. Our opinions are our own.
Editorial Guidelines: We are a free online resource for anyone interested in learning more about legal topics and insurance. Our goal is to be an objective, third-party resource for everything legal and insurance related. We update our site regularly, and all content is reviewed by experts.
“Fair Use” is one of the most challenging concepts in copyright law.
Normally, under copyright law you can’t copy a “work of authorship” that someone else owns. But the “fair use” doctrine says that you CAN copy when the copying qualifies as “fair use.”
As attorney Rich Stim writes on the Stanford University Library web page,
In its most general sense, a fair use is any copying of copyrighted material done for a limited and “transformative” purpose, such as to comment upon, criticize, or parody a copyrighted work.
For example, commenting on and criticizing a work can involve quoting some part of a book in a book review, using a clip from a movie in a film class, etc.
Scary Movies and Pretty Women
Parody can involve movies that play with (and comment upon) elements and tropes in other movies — such as the Scary Movie franchise.
2 Live Crew’s song “Pretty Woman” was based on Roy Orbison’s “Oh, Pretty Woman,” and that parody case went all the way to the US Supreme Court.
But courts can’t always agree on what exactly it means to call a use “transformative.”
Who’s on First?
The show portrayed one of the characters, a disturbed teenage boy, trying to impress a girl by performing the Abbot and Costello routine “Who’s on First?” using a sock puppet.
The producers filed a motion to dismiss, claiming that they were protected by the “fair use” doctrine in that their use was transformative.
The district court judge agreed and dismissed the case.
But the estate appealed, and the US Court of Appeals for the Second Circuit found that the use was NOT transformative and thus NOT fair use.
As the Court of Appeals noted,
the focus of inquiry is not simply on the new work, i.e., on whether that work serves a purpose or conveys an overall expression, meaning, or message different from the copyrighted material it appropriates. Rather, the critical inquiry is whether the new work uses the copyrighted material itself for a purpose, or imbues it with a character, different from that for which it was created. … Otherwise, any play that needed a character to sing a song, tell a joke, or recite a poem could use unaltered copyrighted material with impunity, so long as the purpose or message of the play was different from that of the appropriated material.
Even if, as the district court had concluded, the play was a “darkly comedic critique of the social norms governing a small town in the Bible Belt” and the play’s purpose and character were “completely different from the vaudevillian humor originally animating Who’s on First?,” that wouldn’t make the play’s use of the routine “transformative.”
The play wasn’t “commenting” on the comedy routine — it was merely using it in a different context and for a different purpose.
Said the Court,
The Play may convey a dark critique of society, but it does not transform Abbott and Costello’s Routine so that it conveys that message.
However, the Court affirmed the dismissal on the separate ground that the plaintiffs hadn’t plausibly alleged a valid ownership of the copyright in the original routine.
Anyone planning to copy, adapt, or otherwise use a copyrighted work without obtaining a proper license needs to be aware of the risks of doing so — since even courts can’t agree on what “fair use” means.